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Proctor and Crysell (2015a, November 18). The future fan. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/the-future-fan
Chakraborty, M. (2015a, November 18). Nothing else matters. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/nothing-else-matters
Banerji, V. (2015a, April 28). Desafinado?. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/desafinado-
Goodhand and Nelken (2013a, September 26). Let's face the music...and dance. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/let-s-face-the-music-and-dance-8067
Allsopp and Chalmers (2011a, November 13). From the blog to the record shop. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/from-the-blog-to-the-record-shop
Sarkar and Datta (2009a, February 11). Musical insights. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/musical-insights
Gordon and Arning (2006a, September 17). Sonic semiotics. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/sonic-semiotics
Branthwaite and Ware (1997a, September 01). Music in advertising. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/music-in-advertising
van Praag et al. (1995a, September 01). The demand for concerts of classical music. ANA - ESOMAR. Retrieved March 19, 2025, from
https://ana.esomar.org/documents/the-demand-for-concerts-of-classical-music