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Nakano, N. (2017a, December 04). Sonification. ANA - ESOMAR. Retrieved September 26, 2024, from
https://ana.esomar.org/documents/sonification-9214
Salgado-Montejo, Velasco, Ariza, Salgado and Moreno (2017a, November 27). The four moments of experience. ANA - ESOMAR. Retrieved September 26, 2024, from
https://ana.esomar.org/documents/the-four-moments-of-experience-9197
den Uijl, Emorine, Koornstra, Hagen and Hamaekers (2017a, September 10). Beer: The perfect fit with your meal instead of wine! Dream or reality?. ANA - ESOMAR. Retrieved September 26, 2024, from
Lundahl and Tsoubeli (2016a, June 15). Co-design! Zero to final specification in three days. ANA - ESOMAR. Retrieved September 26, 2024, from
https://ana.esomar.org/documents/co-design-zero-to-final-specification-in-three-days-8701
McNae, F. (2015a, June 15). Sensory semiotics. ANA - ESOMAR. Retrieved September 26, 2024, from
https://ana.esomar.org/documents/sensory-semiotics
Loobuyck, K. (2015a, June 15). The world of chocolate in 2020. ANA - ESOMAR. Retrieved September 26, 2024, from
https://ana.esomar.org/documents/the-world-of-chocolate-in-2020
Derval, D. (2015a, June 15). Sensory profiling and product development. ANA - ESOMAR. Retrieved September 26, 2024, from
https://ana.esomar.org/documents/sensory-profiling-and-product-development
Depoortere, L. (2015a, June 15). The sensory safari. ANA - ESOMAR. Retrieved September 26, 2024, from
https://ana.esomar.org/documents/the-sensory-safari
Cochini, L. (2015a, June 15). Can your audience recognise your brand with their eyes closed?. ANA - ESOMAR. Retrieved September 26, 2024, from
https://ana.esomar.org/documents/can-your-audience-recognise-your-brand-with-their-eyes-closed-