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White, M. (2016a, June 15). Life lessons from New Orleans jazz. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/life-lessons-from-new-orleans-jazz
Proctor and Crysell (2015a, November 18). The future fan. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/the-future-fan
Chakraborty, M. (2015a, November 18). Nothing else matters. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/nothing-else-matters
Cochini, L. (2015a, June 15). Can your audience recognise your brand with their eyes closed?. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/can-your-audience-recognise-your-brand-with-their-eyes-closed-
Banerji, V. (2015a, April 28). Desafinado?. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/desafinado-
Goodhand and Nelken (2013a, September 26). Let's face the music...and dance. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/let-s-face-the-music-and-dance-8067
Goodhand and Nelken (2013a, June 15). Let's face the music...and dance. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/let-s-face-the-music-and-dance
Whelligan and Vogelaar (2013a, June 15). The flow of enthusiasm in music. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/the-flow-of-enthusiasm-in-music
Allsopp and Chalmers (2011a, November 13). From the blog to the record shop. ANA - ESOMAR. Retrieved November 06, 2024, from
https://ana.esomar.org/documents/from-the-blog-to-the-record-shop